Spend The Night With Teezo in SLC
Article written by Destiny Ross and photos by Alec Moody
Article written by Destiny Ross and photos by Alec Moody
Amidst the pulsating energy of the Spend the Night Tour, Teezo Touchdown electrified the stage at Soundwell in Salt Lake City, Utah, on May 14th, 2024. This stop marked the midpoint of the tour, following a hot and energized stop through Colorado. However, Teezo's ascent is far from reaching its high point, even now. With every venue packed to capacity, this tour stop stands as the official sold-out first headliner for Tony Touchdown, showcasing his rising prominence and hinting at an even brighter future. Bringing the masses to each venue to see what makes him so memorable on stage.
Kicking off the night was Annabelle the DJ, also founder of That Good Shit, who set the tone with a meticulously curated variety of tracks, featuring artists like Chief Keef and Kendrick Lamar. However, her role extended beyond spinning records and clicking buttons; she hosted a set of interview questions with Teezo throughout the evening, offering fans a deeper insight into the crazy talented artist's journey, bridging the gaps between songs with engaging dialogue.
Find Annabelle at her individual links below:
As Teezo took the stage, the crowd erupted in anticipation, ready to embark on a sonic odyssey through his life and career. Starting with crowd favorites like "Careful" and "100 Drums," Teezo seamlessly wove anecdotes from his past, leveraging the interviews with Annabelle to provide context and depth to more of what it means to be an artist in this day and age. These intimate revelations, reserved exclusively for live audiences, added layers of meaning to each performance, inviting fans into his world in a uniquely personal way. Per Teezo’s words, this experience was meant for the tour and the tour only.
The night reached its crescendo as Teezo unleashed hits from his latest album, including the infectious "UUHH" and soulful "Sweet," while also paying homage to his roots with covers like "MODERN JAM" and "7969 Santa." With an electrifying stage presence and an eclectic mix of sounds, Teezo Touchdown proved himself a force to be reckoned with, leaving the audience craving more. For those lucky enough to snag tickets, the Spend the Night Tour promises an unforgettable experience, solidifying Teezo's status as a rising star in the music industry.
FIND TEEZO TOUCHDOWN ON INSTAGRAM & SPOTIFY AND CHECK OUT THE SPEND THE NIGHT TOUR TO SEE IF THEY’LL BE COMING TO A CITY NEAR YOU
Tom Walker Review
Article written and photos by Elodie Hadfield
Article written and photos by Elodie Hadfield
This was my second time seeing Tom Walker perform and wow... his performances just get better and better.
Tom Walker lit up the stage at the sold-out O2 Academy in Leeds last night (29th April). Tom Walker rose to fame after the release of his hit single ‘Leave a Light On’ back in 2018, which kickstarted his successful career in music. The Leeds show was one of the fifteen shows that made up the I AM, UK tour. Walker’s vocal ability is incredible and it was a privilege to both review and photograph his Leeds show.
As the band came out and took their places on stage, the excitement coming from the crowd filled the sold-out venue, with people cheering and chanting for Tom. Tom kicked off his set with ‘Rapture’ and ‘Wait For You. The energy in the O2 Academy was incredible as the crowd belted out the words back at Tom, people’s hands up high, swaying and dancing to the music. Tom also played his latest single ‘Head Underwater’ which was definitely a crowd favorite.
Later in the set, Tom played one of my personal favorite songs “Just You and I” and it’s safe to say the crowd loved it just as much as I did. It was so beautiful to see a crowd unified by love and care. The whole of the O2 sang in unison and the atmosphere during the song was truly magical and definitely a moment to remember.
The most emotional moment of the evening was when Tom dedicated the song “Lifeline” to a friend of his he’d lost. Tom explained the difficulties he and his friends had gone through after losing their close friend, stating it was the most difficult year of his life. Tom talked about the importance of reaching out when you’re struggling and that he had teamed up with CALM Charity, a charity that focuses on helping and protecting those in need. During the whole song, the crowd was quiet, listening to the beautiful and emotionally powered lyrics.
After a beautiful set, Tom concluded the evening with arguably his most famous song “Leave a Light On” and the crowd absolutely loved every minute of it. The sound of the whole venue singing the lyrics was heart-warming and it was a very special and emotional moment, especially for me. You could just see how much the support of his fans meant and how much he loves sharing his music and sound with the world
Overall, Tom’s performance was truly phenomenal. It was such a privilege to watch Tom share his stories with his fans and the show was a pleasure to both photograph and review. I look forward to seeing where Tom Walker goes next in his music journey.
Dylan puts on an intimate show in Detroit
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
Dylan an up-and-coming British pop-rock icon! Known for her biggest song “No Romeo” has traveled the world on her Rebel Child tour acquiring quite the bit of fans due to her incredible ability to captivate audiences with a stage presence not typically found in such new artists. After dropping the No Romeo EP in 2022 and coming off of opening for Gayle and Ed Sheeran in 2023 on their respective tours. With an album on the horizon, Dylan gears up for an unforgettable tour.
Mercer Henderson an artist local to the States hailing from New York City prepared the way for Dylan in Detroit with style, finesse, and charm that instantly connected her with concertgoers. Playing with her was her longtime bandmate Sam Cronin artist in their own regard both currently in school at NYU’s Clive Davis Institute. while Mercer Henderson is cultivating her musical prowess and honing in on that IT factor, she obviously has released hit after hit and there’s a special future in store for this one.
Find Mercer Henderson at her individual links below:
My first thoughts about Dylan’s entrance was the theatrics building up to her gracing the stage were so well executed and if anything was foreshadowing what was to come this was it. She came to the stage and instantly started the party off shredding with “Rebel Child”.Throughout the night the audience at El club a small venue right in Southwest Detroit was exploding with energy which led the British icon to be deemed as “small but mighty”. This factor of the night led to it being quite the intimate showcase with hilarious conversations happening back and forth between the artist and fans that don’t typically happen at shows of larger capacity. With her debut album on the way, we got a taste of what was coming with a very dancey disco unreleased track on the album “Perfect Revenge” reminiscent of the band 1975. From ripping on guitar to Taylor Swift/Sam Smith covers And capping off the night with a perfect track for the end of any concert “nothing lasts forever” Dylan turned this intimate crowd into a “small but mighty” party.
Julia Jacklin - In Residency at the Hollywood Forever Cemetery
Article written and photos by Natalie Ryan
Article written and photos by Natalie Ryan
On April 2nd, Australian singer-songwriter Julia Jacklin played the third in a series of four sold-out residency shows at the Masonic Lodge at Hollywood Forever Cemetery in Los Angeles. The Masonic Lodge is an intimate venue at the famous star-studded historic cemetery with wonderful acoustics. Before Jacklin took the stage, fellow Aussie Georgia Maq graced the audience with her beautiful voice. Maq was previously lead singer, songwriter, and guitarist of former Australian band Camp Cope, who were trailblazers in sexual assault awareness and prevention at concerts and festivals. Maq’s voice soared through the room and I’m sure that new fans were made by the way the small room filled up quickly.
Find Georgia Maq at her individual links below:
Once the crowd was nearly spilling out the doors, Julia Jacklin walked from the entrance and up onto the stage, grabbed her guitar, said hello, and began to sing her first song of the night. She played with no backing tracks and no band, her powerful yet gentle voice enough to silence the room. She started off with the namesake of her 2016 debut album “Don’t Let the Kids Win”, before going into a cover of “Shivers” by The Boys Next Door, which she released a studio version of last year. I don’t always like covers, but I would definitely recommend her version, it’s full of emotion while maintaining the integrity of the original. Later, during “Be Careful With Yourself”, she forgot the lyrics to a verse and the audience immediately chimed in, everyone laughing with each other. She took a lot of time in between songs to chat with us and tell stories of her experiences in the music industry, including one song that had been difficult to play in the past.
A fan reached out to her prior to the show asking if she would play “Motherland” from her debut album. She promised she would, but first, she told a humorous but painful story of how she used to get terrible stage fright early in her career and even had a panic attack once while she was playing that song at a show. It was hard for her to play it every time after that out of fear it would happen again. She admitted that she still prefers more intimate shows and smaller crowds (like this one) but she no longer has that gripping fear anymore. Finishing the song, she pumped her fists in a “yes!” gesture and the audience excitedly cheered and applauded her.
For her last song, she used a karaoke video of “Lydia Wears a Cross”, from her most recent album “PRE PLEASURE”, as a backing track, encouraging everyone to sing along with her. After the merch line was practically out the door, her stellar performance presumably affirmed that fans needed a special poster or shirt to commemorate the night. I was not very familiar with Jacklin before attending the show, but I am very glad I went. She is the kind of artist who sounds so good live, that you almost don’t want to sing along, even if you know all the words. If you’re a fan of Björk, Fiona Apple, boygenius, or anyone with a killer voice, you will love Julia Jacklin.
FIND JULIA JACKLIN ON INSTAGRAM & SPOTIFY SHE HAS A FEW SHOWS IN THE US LEFT THIS MONTH AND NEXT, GET TICKETS HERE.
The Last Dinner Party shuts industry plant allegations up at their sold out show in Detroit
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
The Last Dinner Party is A British indie rock band started in 2021 with members Abigail Morris (vocals), Lizzie Mayland (vocals, guitar), Emily Roberts (lead guitar, mandolin, flute) Georgia Davies (bass), and Aurora Nishevci (keyboard, vocals) seemingly amassed a great following out of nowhere with their hit and debut song “nothing matters” in 2023 and ever since then it has been off to the moon with this all star group of rockstars from London, winning the rising star brit award in ‘23 and not long after winning the BBC sound of ‘24 poll. Shortly after that, they released their debut album “Prelude to Ecstasy” which charted number one on the UK albums chart vaulting this group into stardom and leading them into their near sold-out tour. With such great and some might say swift success it has led to bringing up the age-old question of is this an “industry plant or talent”.
As I went into this show I binged a ton of their music and really started to love this ABBA, Queen sound about this band and the overall aesthetic that they had going for them with the ethereal, regal, medieval setting they put themselves in with wardrobe and design for a lot of their art. And their sound was out of this world creating this very British punk rockstar vibe. With a sold-out show in Detroit topped with the success attained, I assumed this band had something very special about them and that assumption proved to be correct. From the moment they set up their entrance with the opening track “prelude to ecstasy” the crowd absolutely erupted and I could feel the energy in the room spike. Lead Vocalist Abigail Morris came onto the stage with the confidence and charisma of a young Freddie Mercury winning over the crowd instantly from the moment this band stepped out onto the stage and till they left, they captivated and did not cease to hold the audience's attention pulling them in closer.
The Last Dinner Party Showed love to fans, crew, and their opener Miss Grit who happened to be a local of the area and proclaimed this night to be her show. This band radiated the energy of people who absolutely loved what they do and worked so hard to get to where they were and that heart that they have toward this recently found stardom is why they are where they are. They have the talent, they have the look and they have the performance locked down. And leaving that room I made up my mind completely that no this is not a case of someone just put in the spotlight this is a group of extremely talented artists that grabbed the spotlight and will not be leaving it anytime soon. If you want to see it for yourself please do, you will not be disappointed.
Fairyland X FOTS (a fundraiser show)
Article written by Keira Zoumadakis and photos by Destiny Ross & Alec Moody
Article written by Keira Zoumadakis and photos by Destiny Ross & Alec Moody
Hello Dear
Hello Dear kicked off the most beautiful night to come. Blue lights immediately started trembling alongside the cheers of the crowd. Hello Dear was the perfect start to the night. Their sound is the perfect blend of post-punk edge and smooth jazz sophistication. There’s the coolest fusion of raw, driving rhythms with a touch of laid-back sultry key vibe. Their bassist, Jackson lays down the grooviest line throughout their whole set while the drummer, Joey keeps a tight, punchy beat. Owen throws in some jagged riffs that cut through the air, and Jesse fully takes over the keys with such rich tones. The vibes that Hello Dear brought just fully let you soak in the ambiance. We are still in complete awe of Hello Dear.
Find Hello Dear at the link below:
The Kilans
The Kilans took the floor immediately following Hello, Dear. They bring the most infectious energy into the room. Their set is fun, fast, and dancey. It is not easy to pull off their sound. The coolest mix between classic indie and surf rock. All their originals have deep lyrics that stick with you after the show. Jack has a voice that is so rich and full of soul which makes a Kilans show that much better. David rips on drums like we’ve never seen before. Jacob on guitar never fails to amaze the crowd. And the bass tone that Cooper brings is insane. The blend of these four playing together never fails to make a good live show. Beautiful music, beautiful energy, and beautiful people. The Kilans showed us that Fairyland really does exist.
Find The Kilans at the links below:
Molotov Dress
Molotov Dress is the coolest post-disco, punk band around. There was such an electric buzz in the air as Molotov Dress started their set. It was so raw yet melodic with twists of punk. The bass in their set was so driving and kept the rawness of their set. The trumpet brought into their music was something we have never experienced, it scratched my brain in the most perfect way. Their performance was an intimate rebellion, a perfect blend of sensitivity and punk. Every chord gripped the crowd in a wave of unbridled passion. Molotov Dress showed us that seeing them live isn’t just music, it’s a full adrenaline-fueled experience that leaves you buzzing for days!
Find Molotov Dress at the links below:
Horrible Penny
Horrible Penny finished the night off in the best way possible. The mix between soft and harder punk completed the night beautifully. Vocalist Katana really knows how to get the crowd involved with their set. The crowd matched Katana’s energy with their own wild abandon. Some of the most powerful vocals we’ve heard in a long time. Horrible Penny accentuates the line of punk and performance insanely well. Through the chaos, there was such a sense of unity, a communal release of pent-up emotions, all set to raw, unapologetic punk.
Chelsea Cutler Lights Up Detroit
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
As I walked into The Fillmore Detroit I could feel a very distinct sense of love for this artist and a room of people that have watched her grow as an artist since her debut in 2015 and also newer fans introduced to her work by collaborations with artists such as Jeremy zucker and Noah kahan. Since then she has amassed quite a following of loyal fans and they were all ecstatic to witness their favorite artist Chelsea Cutler grace the stage.
Find Yoke Lore at their individual links below:
Up-and-coming indie folk duo Yoke Lore opened up the night with the most consistent high energy I’ve ever seen from a band of this size. Dawning only a banjo and a drum set these guys knew exactly how to make not only the most but the best out of the tools they were given. The crowd in Detroit seemed to be quite acquainted with these two also as they sang along and erupted in screams of joy when they heard the first note of “beige” seemingly a crowd and Chelsea cutler certified banger. Excited to see where these two get in their career with such a distinct and charming sound.
Then the lights go down and we hear a voicemail ring from the speakers and the stage lit up revealing what can be described as a stone wall designed with beautiful arches and a disco-like stage lining. From behind the arches Chelsea walked through with a guitar in hand and put on an unforgettable show playing various songs ranging from her debut album How to be Human all the way to her newest release Stellaria she started drinking a red bull a few songs in, so you can imagine the energy was through the roof the entire time. This is not an artist you’re going to want to miss while she’s out on tour, and if you’re not familiar with her work I highly urge you change that.
FIND CHELSEA CUTLER ON INSTAGRAM & SPOTIFY
Kirby Takes on Kilby
Article written by Zero Mars
Article written by Zero Mars
On Sunday, February 25th, the Salt Lake City air was pleasant with a bite of winter chill, ushering eager concert-goers into the cozy enclosure of Kilby Court. The stage was blessed by an angelic trio of uniquely talented feminine vocalists, Cannibal Queen, Allegra Krieger, and Katy Kirby, working in tandem with their diverse sets to create an unforgettable show.
Local fans were thrilled to see Salt Lake City wonder Cannibal Queen set the scene for the evening, taking the Kilby Court stage for the second time this month. Cannibal Queen is the up-and-coming solo project of vocalist Aubrey Auclair, accompanied by an array of musicians from other local alternative projects. Together, they unite in the pursuit of a special, eclectic ambiance.
Cannibal Queen greeted the Court with a twinkly-yet-melancholy opening number, Kill Your Fate, immediately drawing the full attention of buzzing audience members. Auclair’s laments are often sweet but met with loud, grungy belts that perfectly illustrate the artist’s aesthetic- rigid and grotesque, with a plush vulnerability lingering close behind.
Overall, Cannibal Queen’s music toes the waters of harsh and mellow noise, stirring loud, rock-inspired drums with droney synths and acoustic strums. Any listener who devotes her music to the quiet contemplation it warrants will be graced with a delightfully emotional exploration of love and obligation. The set closed with a brilliant two-piece composition, Lonely, Cannibal Queen’s self-recorded debut single, followed by Hostage, their latest release.
Next on stage was Allegra Krieger, a New York-based indie rock artist accompanying Kirby on their tour. Krieger’s 30-minute acoustic set served as the perfect mid-way cleanser, granting listeners a segment of relaxation and contemplation before the headlining act. Her lyrics take on a meditative sway, encouraging listeners to “let go [of everything]... and let be [for serenity]”. Krieger also sung immense praise to fans of Katy Kirby attending the shows, gushing that she’s had “the best time playing for these audiences”. By the end of her closing number, a special love certainly hung in the air.
To finish off the night, Katy Kirby entered to a wide-eyed, eager crowd, fronted by a giddy mother and her teenage daughter. As the two clung tightly to each other beside center stage, Kirby lowered herself to her keyboard, softly plucking out the beginning notes to her performance. Audience members were quick to sing along to Redemption Arc, the soft, poetic opening to Katy Kirby’s newest album. Kirby appeared almost shocked by the crowd participation, half-laughing as she remarked, “my mom doesn’t even know the words to that one…she’s a great mom, but a terrible fan”. Her humorous quips continued throughout the evening, never failing to pull laughs or cheers between songs.
Guitarist Logan Chung was quick to realize that the stroke of midnight would mark one month since the release of Blue Raspberry, Katy Kirby’s sophomore album. Each audience member would surely agree that the angelic, inspiring compositions of the newly debuted tracks were the perfect way to celebrate such an occasion.
The cohesive, tight-knit nature of Kirby’s band was clear through the duration of their performance. Each facial expression and gesture illustrated how deeply enthralled they were in the live untangling of each musical disposition, and reveling in every second of it. The chemistry between jazzy bass and high-hat-focused drum lines possessed a trance-like effect on the crowd, prompting Kirby to eventually inquire, “..You know you guys can talk, right”? Sometimes these asides were a bit more humorous, though, like when drummer Austin Arnold halted the show to point out a bug that had landed on his snare.
During the second verse of her most popular track, Cool Dry Place, Katy Kirby pulled opener Cannibal Queen on stage to take over the mic. The local artist took a louder, more accentuated approach to the otherwise reverent song, allowing for the rawer emotions of the piece to peek through with a greater ferocity.
Kirby closed her set with a cover of the popular Mountain Goats track, No Children, an exciting nod to her upcoming tour opening for the obscure folk band this spring. As with all her covers, Kirby takes great care to create her own twinkly concoction, exceptionally separate from the original piece. Needless to say, with her recent signing to ANTI Records, as well as her uniquely exceptional recorded and live talent, opportunities are looking bright for Katy Kirby and her incredibly talented band. One can’t help but feel lucky to witness such a talent in a small, intimate space as the Kilby Court.
FIND KATY KIRBY ON INSTAGRAM & SPOTIFY
An Intimate EP Release Show
Article written and photos by Natalie Ryan
Article written and photos by Natalie Ryan
On February 21st, friends and fans squeezed into a small room with a slightly raised stage inside the bustling Chinese restaurant that is Genghis Cohen in Los Angeles, California. Outside the establishment, a screen printed 7” vinyl variant of Pile of Love’s new EP “Super Sometimes” (limited to 34) was being sold, along with other POL merch and friendship bracelets. “Super Sometimes”, released on December 22nd, 2023, is Pile of Love’s second EP, coming after their self-titled 2021 debut album and 2022 EP “Flake on the Future”. Los Angeles–based band Pile of Love consists of Morgan Foster (Mobin’s Child), Ryan Scott Graham (State Champs, Speak Low, Being Around), Kevin Geyer (The Story So Far, Same Side, Elder Brother), Nick Cogan (Drug Church, Militarie Gun), and Chris Villeneuve (Drug Church). Considering how busy everyone in the band is with their other projects, it’s notable that they’ve consistently put out music for the last three years. Personally, I really enjoy “Super Sometimes", along with their other work, and I wouldn’t object if this trend were to continue.
Before Pile of Love took the stage, local California bands Same Side and Object of Affection warmed up the crowd. Shoegaze alt-rock band Same Side was first, kicking off the night with music easy to listen to, while having poetic lyrics about the darker side of life. Object of Affection was even louder, nearly drowning out the soft vocals with high energy guitar and drums. Both groups were doing more than enough for the crowd to get into the music, having been fans previously or not. Everyone in the room was happy to be playing, listening, and being in the moment.
Find Same Side and Object of Affection at their individual links below:
After the two bands finished, Pile of Love came out with their song Happy to Hide, one of the four tracks on “Super Sometimes", displaying their power pop-rock strengths right out of the gate. Listening to their studio album and EPs, the vocals are gentle and easy, and the music is guitar forward with exciting riffs. I think it’s perfect music to drive to, like 90’s soft rock. Live, they like it loud. I wish I had remembered my earplugs! This didn’t negatively affect my experience, as I was just happy to be there. Between taking breaks from shooting I took time to enjoy my favorite songs of theirs, including Apart of You, which they played midway through.
At their core, Pile of Love is just a bunch of guys that love to make music and it’s crystal clear to see that love when they are playing. I caught so many moments of different members smiling at the crowd, each other, and to themselves, just enjoying their time so much. I watched Same Side and Object of Affection do the same, so POL was obviously in good company. Pile of Love finished out their set with Song 2, followed by Over & Out, which both have some of my favorite guitar playing, and are just really groovy songs to jam to. I hope to see Pile of Love continue to release music and play shows, and I’m really glad I got to go to this show. Check them out if they ever come to a city near you!
FIND PILE OF LOVE ON INSTAGRAM & SPOTIFY
Enchanting Elyanna: A Mesmerizing Night at Her Michigan Concert
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
Palestinian-Chilean artist Elyanna stops in Detroit on February 13th on her nearly sold-out headline tour coming off of the release of her self-titled album “Elyanna 2”. The energy in The Majestic Theatre was so rich with community and culture which has a huge part to do with the kind of environment Elyanna can foster. Known for her Arabic-enriched Rnb and pop sound, the music played throughout the night transcended language barriers. This was evident in the multitude of monolingual concertgoers with the ability to connect and interact with the show she was putting on.
Preparation and creativity were abundant in the performance which displayed an excess of passion for the show's art. Full of little details that knitted the show to form a narrative that encompasses the depth of the culture she cares so deeply about. “ it’s not only a tour, it’s a movement, it’s a culture, it’s empowerment, it’s who we are” -Elyanna via Instagram. This sentiment was so clearly obvious in the presentation set in front of the audience. From dawning traditional Arabic garments that hold centuries of the story in them, the ringing of the traditional tablah echoing throughout the theatre, and the ululation from concertgoers expressing the extreme love and joy for this special night they were blessed with.
This is not a tour you’ll want to skip out on whether you’re an Arabic speaker or not this music speaks to everyone on a level that is understandable in a transcendental emotional experience that you will not want to miss.
FIND ELYANNA ON INSTAGRAM AND SPOTIFY
What if Ericdoa shut down N.C?
Article written and photo by KriS Sims
Article written and photos by KriS Sims
Ericdoa, a rising star in the music scene, recently took the stage at the Cats Cradle in Carboro, NC, accompanied by the talented opener Bixby. The anticipation in the air was palpable as the crowd eagerly awaited the performance of these viral sensations. Ericdoa, known for his genre-blending music that fuses elements of rap, pop, and electronic sounds, has been making waves on social media platforms, garnering a dedicated fan base.
Bixby, the opener for the night, set the tone with a dynamic performance that showcased his unique style and energy. The crowd was immediately drawn into the music, and Bixby's stage presence left a lasting impression. As the opening act seamlessly transitioned into Ericdoa's set, the atmosphere at the Cats Cradle reached a fever pitch. The crowd's excitement was a testament to the growing popularity of these artists, fueled in part by their viral success online.
FIND BIXBY ON INSTAGRAM, SPOTIFY, AND HIS WEBSITE
Ericdoa's performance was nothing short of electrifying, with his charismatic presence and innovative sound captivating the audience. The Cats Cradle became a melting pot of diverse music enthusiasts, all united by their shared admiration for the viral sensation. The synergy between Ericdoa and the crowd created a memorable experience, solidifying his status as an artist on the brink of mainstream success. As the night unfolded, it became evident that Ericdoa and Bixby had not only lived up to the hype but had exceeded expectations, leaving the audience buzzing with excitement and anticipation for what the future holds for these two talented musicians.
FIND ERICDOA ON INSTAGRAM, SPOTIFY, AND HIS WEBSITE
Country stands for Warren Zeiders
Article written and photo by KriS Sims
Article written and photos by KriS Sims
On a late Thursday night in Greensboro, NC the venue known as Piedmont Hall would feel one of the most electrifying country shows of all time. Warren Zeiders has arrived for his “Pretty Little Poison” tour and was ready to shut the place down. The line was down the block and everyone was anticipating the show and couldn’t wait. Eventually the doors would open and as time ticked the show would soon be kicked off with the opener Clayton Mullen.
Clayton went right into the show going hit for hit with starting off with “Rainin’ in Dallas”. The riff from the guitar was all the crowd needed to hear to know what time it was. The ball would begin to get rolling right after that as he played “Whiskey On It”. This was all that was needed to get the crowd off their feet and get the mood set for the rest of the night that was soon to come.
FIND CLAYTON MULLEN ON INSTAGRAM, SPOTIFY, AND HER WEBSITE
The night is right, everyone had that good buzz flowing through their systems and it was time. The lights began to get dark and all you saw was a flashing white light with a drummer banging his heart out, a bassist playing the lowest of notes, and a guitarist playing a beautiful riff that let you know that someone is about to come to the stage and bring the house down and that’s exactly what Warren Zeiders did. The first song he came out to was “Ride the lightning” which was one of the best intros to a concert that many people should experience. The crowd going word for word singing the catchy hook of the song which gets stuck in your head very quickly.
Warren would keep the hot streak going as he preformed a cover of Lynard Skynard’s “Simple Man” which is a definite hype song for anyone who loves good nice crisp sound of true country vocals. This is something that had people in tears due to the presence of Warren and the song itself as its one many people can relate to as it tells you to just take your time and enjoy life and try not to stress so much and this show was definitely something that took the stress off of everyone that was there that night. The show would go on more as he followed up with some of his more popular songs as well such as “Pretty Little Poison”, “Burn It Down”, and “Pain killer”. The whole night was full of amusement and excitement and is something no one is ever going to forget. Warren Zeiders is someone everyone should add to their list to see before the tour ends.
FIND WARREN ZEIDERS AND HIS TOURING INFO ON INSTAGRAM, SPOTIFY, AND THEIR WEBSITE!
Cutie Live from Kilby Court
Article written and photo by Keira Zoumadakis
Article written and photo by Keira Zoumadakis
The energy of the room fully took over as the band ran onto the stage with the crowd chanting “Cutie” repeatedly. Blue lights began trembling as guitars and drums amplified through the two-car garage. Rhythm guitar brought in the first sounds of the song Nothing To You, the first song Cutie has ever played at the infamous Kilby Court. The crowd began rocking immediately as the bass guitar and the kick drum took constant in this song.
Without delay, the band started playing their second song Tuesday. Insane bass heads straight for the crowd as Dylan’s vocals take over. Being able to see Cutie live in such an eclectic environment really shows what this band is about.
Next up came Dylan’s personal favorite, the band’s newest release Fine. Red lights flare as subtle sounds income- the epitome of bedroom pop just until the drums pick up and it starts turning into more surf rock vibes in an instant.
During a break in music frontman Dylan Squire begins introducing the rest of the band with Ethan Jones on guitar, Dane Heaps on bass, and Sean Coburn on drums. Followed by the introduction to a song called In My Dreams which is about daydreaming about a pretty girl who was at a concert.
Cutie’s whole brand is about having intense lyricism with dancey tracks behind vulnerability taking major inspiration from Boy Pablo. They have a heavy rhythm in their music that more people need to hear, especially live.
The second to final song Back In Time is one of my personal favorites. It is such a fun track to dance to or rot away to thinking about growing up whichever you prefer.
The crowd begs for more as Dylan announces their last song of the night Cutie. Pure awe in the crowd as the band jams till the final point. Heavy guitar, heavy bass, and heavy drums. To say Salt Lake City is for Cutie’s is an understatement to get them back out on stage NOW. Seriously.
Catch them back at Kilby Court on February 16th supporting The Hails!
FIND CUTIE ON INSTAGRAM AND SPOTIFY
Ashnikko Lights Leeds Ablaze
Article written and photos by Elodie Hadfield
Article written and photos by Elodie Hadfield
On Friday 8th December, Ashnikko took to the stage playing at the sold-out O2 Academy, Leeds. Ashnikko wowed the fully packed venue showcasing their incredible vocal range while playing a mixture of songs from their new album “Weedkiller” as well as some older tracks. With outstanding energy, dynamic dancing, and insane vocals, Ashnikko’s show in Leeds was truly one to remember!
While the crowd waited, the anticipation in the O2 Academy grew and grew. People were giggling in excitement, chatting about the fact they were really about to see Ashnikko live and discussing what song they were most looking forward to hearing. The lights went down and screams of excitement filled the O2 Academy as the dancers marched out onto the stage followed by Ashnikko, all ready to put on an exceptional performance. The first thing that struck me about Ashnikko was their incredible styling. Their blue hair contrasted with the utility-styled co-ord made for an incredible look! The staging and levels of dancing during the show were some of the best I have ever seen and Ashnikko’s stage presence during the show was impeccable
Ashnikko kicked off their set with ‘You Make Me Sick!”. The crowd was belting out all the words while Ashnikko and their dancers put on a fantastic opening number. Ashnikko is known for their alternative-pop sound and high-energy, dynamic performances. They rose to fame after their song “STUPID” gained popularity on the social media platform TikTok. Since then, Ashnikko’s career has gone from strength to strength, and with performances like their show in Leeds, I know Ashnikko is set to go far in the music industry!
As the set progressed, Ashnikko performed a range of hits. The one that stood out to me most was “Slumber Party” That song in particular is a personal favourite, so it was great to hear it live for the first time! It was a definite crowd favorite. The whole venue was singing and dancing to that one. The energy in the venue was amazing for the whole evening and Ashnikko and their dancers were absolutely feeding off the fan’s love for this show.
Finishing off their set, Ashnikko concluded the evening with “Daisy” which was another crowd favorite as well as another personal favorite of mine as well! The crowd was loving it, jumping and singing through the whole final song. Overall, Ashnikko’s Leeds show was truly phenomenal, the styling, set, and energy was unmatched. The show was also a privilege to photograph and review and I am looking forward to seeing what Ashnikko has lined up in the new year!
FIND ASHNIKKO ON INSTAGRAM, SPOTIFY, AND THEIR WEBSITE
The Japanese House Travels To SLC
Article written by Gentry White
Article written by Gentry White and cover photo provided by Justin Higuchi
On Monday, November 27, 2023, Amber Bain, known professionally as The Japanese House, visited Salt Lake’s The Depot for the North American leg of her tour. Originally from Buckinghamshire in the United Kingdom, Bain burst onto the scene in 2015 when little was known about the artist. For a while, the androgynous quality of her voice and avoidance of press made people speculate about her music belonging to that of the lead singer of The 1975, Matty Healy, who was signed under the same label, Dirty Hit. The rumors were put to rest when Bain went on tour with Healy as the opening act for the 1975 in 2015. Her first EP Pools to Bathe In was released the same year.
Since 2015, The Japanese House has released multiple EPs and two studio albums. The first, Good At Falling, was released in 2019 to positive reviews. Her second album, In the End It Always Does, was released in June 2023 featuring credits from previous collaborators like Matty Healy, George Daniel, Justin Vernon, Muna, and more.
The Japanese House was preceded by 22-year-old folk artist and New Jersey native, Quinn Barnitt — otherwise known as quinnie. In February of this year, Barnitt released her first studio album flounder under Columbia Records, a division of Sony Music. Barnitt and her two bandmates (introduced as Jake and Hudson) took to the stage first with three acoustic guitars, interchanging throughout their performance with a steel guitar and autoharp.
The trio awed the crowd with smooth harmonies and creative lyrics like, “God is a girl with a sea shell in her palm,” or “What if I never scratched another itch for the rest of my life? // Would I die satisfied knowing it could always get better than this?” From somewhere in the crowd, a fan exclaimed, regarding Barnitt’s delicate and hypnotic voice, “She sounds like an elf or something!”
It is a fitting description for the slight country twang and sweet soprano of the lead singer’s voice, who captivated on stage as though she had been doing so her whole life. It is rare when an opening act can hold an audience’s full attention, but Barnitt and her band engaged from beginning to end, introducing those unfamiliar with her work to some lovely new songs to add to their playlists.
FIND QUINNIE ON INSTAGRAM, SPOTIFY, AND HER WEBSITE
The Japanese House took the stage to enthusiastic applause and shouts of excitement for Bain. The five-person ensemble began with the third track from In the End It Always Does, “Sad to Breathe” and promptly followed with one of their most recently popular “Touching Yourself”. Bain’s deep, rich voice, previously thought to have possibly belonged to Healy, is unabashedly all her own. With her new album influenced by poetry, Joni Mitchell, and even Richard Linklater’s film “Boyhood,” Bain and her band filled the venue with the dream-like sounds of synthesizers and the emotionally honest lyricism Bain has become known for.
The crowd danced along to classics like “Follow My Girl” and “Maybe You’re the Reason” and stayed hushed with wrapt attention during softer numbers like “Chewing Cotton Wool”. All of the upbeat numbers with pop undertones were set aside during Bain’s first encore number, “One for sorrow, two for Joni Jones”, where Bain sat solo at the piano while a member of her company lightly lit the air with notes from the saxophone. This was followed by the hit, “Sunshine Baby” to close out the night, where Bain sings: “I miss my dog and I miss falling in love // I miss the feeling that you get when someone fits just like a glove”. From start to finish, the set was wonderfully inviting, where members of the crowd could sing, dance, and feel as Bain led her ensemble through a night of good tunes.
The Japanese House continues her tour of North America until her December 10 show in Boston, MA before returning to England. For more information and to view available tickets and locations, please visit the links below.
FIND THE JAPANESE HOUSE AND THEIR TOURING INFO ON INSTAGRAM, SPOTIFY, AND THEIR WEBSITE!
Kota the Friend feels the love in Detroit, Michigan at Saint Andrews Hall.
Article written and photos by Jordyn Ward
Article written and photos taken by: Jordyn Ward
Long-time and Recent followers of musical artist Kota the Friend lined up in the freezing cold outside of the legendary Detroit music venue Saint Andrews Hall to witness the Flowers for Your Friends tour in person! The widely diverse demographic of concertgoers in line was a nod to the openness and welcoming spirit of the Rapper. Kota for years has been known for his versatility in his artistry and pure vibes he puts out into the world and everyone was ready to experience this for themselves.
DJ Ak opened up the set playing some of the biggest hits in the rap community and all the club anthems to get the crowd warmed up for opener Price. Rapper from Los Angeles County, California
Came out with tons of energy and got the audience engaged in the music automatically with his incredible crowd work and unmatched hype. His song Mansa Musa was a hit with the Detroit crowd as they yelled out the lyrics. Definitely an amazing way to kick off the night.
After another DJ set filled with hype and some throwbacks this time Kota the Friend came out to his song Wolves and the audience went wild and the atmosphere was so dancey in that room as the crowd bopped and waved their hands to the beat. As the show went on Kota took us through his thought process going into a lot of his songs one sticking out is the intention behind his song Boy which he explained was a song that was made after the tragic passing of Nipsey Hustle, when Kota thought about nipsey’s kids and having to continue on with life without him he wanted to make sure to leave something to his son and in this song he expressed his desire to give back to the community and share an uplifting view of beauty in the eyes of black youth.
Throughout the rest of the night, Kota the Friend took us through his multitude of location-named songs as destinations we’d be going through ending the night with the hit song Colorado leaving Kota fans with the perfect vibe to make their way home from this incredible night.
Durham is officially known as Cochise Land!
Article written and photos by KriS Sims
Article written and photos taken by: KriS Sims
Last night, music enthusiasts in Durham were treated to an electrifying performance at the highly anticipated Cochise show, where rising stars TisaKorean and BigNumbaNine also graced the stage. The event, held at Motorco Music Hall, proved to be a memorable experience for fans who gathered to witness the fusion of talent and energy from these promising artists. BigNumbaNine, known for his distinctive sound and genre-blurring style, set the tone for the evening with a dynamic opening performance that showcased his versatility as an artist. The audience was captivated by his stage presence and the seamless transitions between tracks that spanned across his discography.
As the night progressed, TisaKorean took the stage, bringing a wave of energy that ignited the crowd. Known for his infectious beats and signature dance moves, TisaKorean had the audience on their feet, creating an electric atmosphere that resonated throughout the venue. Fans couldn't help but join in on the fun as TisaKorean delivered hit after hit, proving why he is considered one of the most exciting performers in the hip-hop scene.
It was now time, the lights began to dim, the crowd got more anxious, and the beat kept getting louder and louder! They knew what time it was and who was about to hit the stage and couldn't hold back the excitement anymore. The man himself Cochise was officially about to hit the stage and they couldn’t contain themselves. The performance kicked off with "Mr.Professor" , where it just took off from there.
Following his opening song, Cochise did not stop it was banger after banger consistently playing tracks such as “Usopp”, “Knicks”, and many more that the crowd enthused and wanted more and more. Watching the crowd sing word for word on each song was something none of us could’ve expected and did not know was going to be that type of show. He definitely was able to show why he is a house hold name in todays rap game.
Cochise's performance at the concert was nothing short of spectacular. From the moment he took the stage, he exuded energy and passion, setting the tone for an exhilarating night. The seamless transitions between songs kept the momentum alive, and his chemistry on stage was evident in every note played. Whether it was an more laid back song or a full on trap bass booming jump out the roof type of feel, Cochise's performance was a rollercoaster of emotions, leaving the audience on the edge of their seats and hungry for more. The concert was a testament to Cochise's musical prowess and his ability to create an immersive and unforgettable live experience.
FIND COCHISE ON INSTAGRAM, SPOTIFY, AND HIS WEBSITE!
Unleashing Unstoppable Energy: The Unforgettable Night of Flo Milli's Concert
11/08/23
Article written and photos by KriS Sims
Article written and photos taken by KriS Sims
Flo Milli’s most recent show at The Fillmore in Charlotte, North Carolina was a one of a kind experience that felt like the show of a lifetime. The night kicked off with an artist that if many don’t know they definitely should and she goes by Maiya The Don. Her performance was something that not only myself would never forget but most of all the people in attendance as well. She came out swinging and showed that you will remember her before the night is over. Playing her hit songs that some may know as “Telfy” and “Dusties”.
Maiya would than go on to pause her set to bring out a special guest, a North Carolina native who goes by the name of Tia Corine! Soon as she said her name the crowd erupted as she came out to her hit song “Freaky T”. The energy Tia brought out was definitely showing that this night is only going to get better as it just built the anticipation even more.
Find Maiya The Don and Tia Corine on their individual links below
The time would finally come as the lights dimmed one more time for the main show. The chants got louder and was shaking the venue the crowd would erupt as the main lady we all came to see three simple words “Flo Milli Shit”. The pink visuals would come on the big screen and once the crowd saw it everyone knew it was showtime! Flo Milli would start the night coming out to a classic in her catalogue which many would know as “Miss Carter Freestyle” no matter who you are the Lil Wayne inspired track is sure to make you put respect on her name.
Right after her opening song she would follow it up with another hit from her catalogue “Bed Time” which is another upbeat rager that definitely turns heads every time it’s played. Flo Milli has amazing crowd control and had everyone moving side to side and making sure everyone was having a good time. She kept the energy going with songs such as “Hottie”, “Weak”, and more. It was non stop from the amazing artist and it only got better.
In the end, Flo Milli’s show in Charlotte was a night that showed why she is where she is. The high energy as a performer and just the overall care and stage presence she brought was something that will go as unmatched by many. She showed many people she is a power house in the rap game and should be looked at as a top contender. The former XXL freshman is someone all should listen too and if you weren't a fan before the show than after that night it’s most likely you did!
Find Flo Milli on INSTAGRAM, SPOTIFY, AND HER WEBSITE!
The Field Trip Tour Experience
Article written and photos by Alec Moody
Article written and photos by Alec Moody
Lil Yachty's latest show at The Complex in Salt Lake City, Utah was an electrifying spectacle that left fans buzzing with excitement. The evening kicked off with the energetic opener, The Concrete Family, which featured four talented artists - Draft Day, Dc2Trill, Karrabooo, and 31camo. Their performances were high-energy, with Draft Day delivering hits like "Close 2 the Sun" and "ON THE RISE," while Dc2Trill pumped up the crowd with tracks like "LeftHerOnSeen" and "B.R.A Freestyle." The Concrete Family's set was the perfect start to the evening, setting the stage for what was to come.
FIND THE CONCRETE FAMILY ON THEIR INDIVIDUAL LINKS BELOW
After The Concrete Family finished their set, the stage was graced by the soulful and somewhat unexpected presence of Nick Hakim. While his more folk-soul and psychedelic-infused music may not have been what fans were initially anticipating after such a high-energy first performer, his performance was a very refreshing surprise. He opened with Green Twins and closed with Cuffed, showcasing his unique style and leaving a solid impression on the audience.
As the venue's music faded out, the lights dimmed, and the smoke machines began to work their magic. The individual members of Lil Yachty's band walked onto the stage, accompanied by mesmerizing and almost psychedelic graphics in the backdrop. The anticipation in the air was palpable as the graphics welcomed everyone to the show. The performance kicked off with "drive ME crazy," where the lead female vocalists snatched everyone’s attention from the graphics. A minute into the song Lil Yachty made his nonchalant entrance, captivating the audience with his charisma and vocals.
Following his opening song, Lil Yachty seamlessly transitioned into "the ride," a track featuring backing vocals by Teezo Touchdown and an enthralling psychedelic trance-like keyboard piece and beat. The reverberation of the music echoed throughout the venue as Yachty then launched into "pRETTy," delivering one of the most floaty and dreamlike moments of the evening. Lil Yachty's performance featured a perfectly balanced set, alternating between high-energy bangers that encouraged the crowd to mosh and slower-paced, more vocally-driven songs. including my personal favorite, Broccoli, which was the first song that introduced me to him back in High School, so it holds a special slot in my favorites by Yachty.
In conclusion, Lil Yachty's show in Salt Lake City was a high-octane, multi-faceted experience that showcased his versatility as an artist and his ability to connect with his audience. If you're a fan of Lil Yachty or just in search of an unforgettable live music experience, don't miss the remaining shows on "The Field Trip Tour," which is set to conclude by mid-December. It's an opportunity to be a part of an electrifying performance that leaves a lasting impression and will have you needing more.
FIND LIL YACHTY ON INSTAGRAM, SPOTIFY, AND HIS WEBSITE!
Hozier; Unreal, Unearth Tour
Article written by Keira Zoumadakis
Article written by Keira Zoumadakis
Opening with the beautiful De Selby (Part 1) passionate, love-fueled energy filled the immense Maverik Center in West Valley, Utah. I have never felt such energy in a room before. Being the 31st stop on tour, Hozier’s performance was truly alluring. He had eight other talented musicians playing alongside him with instruments from the organ, cello, violin, synth, acoustic and electric guitars, keys, drums, and vocalists.
Photo by Ruthless Imagery
Not only does Hozier have a full team of musicians on the road with him, but he also has an even larger production team. With full rigged sets, from stars and a Cherry Wine colored moon to trees with projections from underground to sunsets just like the Unreal Unearth album cover.
Photo by Keira Zoumadakis
The transitions are through songs, albums, and gratitude. Hozier represents the central line of fame and human. Sharing the details of genuine kindness, love, and peace. No matter the size of the venue Hozier provides an intimate experience for each one of his supporters. My mind is still stuck inside of that venue, listening to his discography ever since. Friday night felt like running around under the stars with best friends. A night of pure bittersweetness as ethereal melodies reverberated throughout the venue. I know everyone else in the crowd felt the same way as I did.
I have never experienced a crowd so loud, and so beautiful. Hozier’s soulful lyrics tugged right on my heartstrings especially as his supporting musicians brought rich, dynamic sounds to the essence of every one of these live songs. He is not afraid to tackle social issues, he spreads every word exactly how he is feeling and is very educated. Pure authenticity is what he has created, delicately he addresses what is going on in the world and I truly believe that is how he has stayed so connected to his supporters. He creates powerful and impactful speeches and releases every raw emotion into his music. That was projected even more live. Hozier captures depth, rawness, and intensity in every one of his songs that grasps your soul and heart.
Lucky for you Hozier still has seven tour dates left. Go grab tickets, you will not regret it. Stream his new album “Unreal Unearth” on every streaming platform and buy tickets as well!