The Aces Unforgettable Show at The Majestic Theatre in Detroit
Article written by and photos by Jordyn Ward
Article written by and photos by Jordyn Ward
The Aces concert at The Majestic Theatre in Detroit on the 18th of September was nothing short of electric. This four-piece band, known for their dreamy blend of bedroom pop and rock, brought a sound reminiscent of The 1975 and The Japanese House, filling the venue with an infectious energy. The crowd, buzzing with excitement, was treated to a night that felt like a celebration of queer representation and musical excellence.
Opening the night was Crepe Girl, a two-piece band making their Detroit debut. They impressed the crowd with their fresh sound and confidence, showing off an eclectic mix of their original songs. But what truly lit up the room was their cover of SZA’s “Snooze,” which perfectly set the tone and had the audience vibing. For an opener, they did more than warm up the crowd-they made a lasting impression.
From the moment they took the stage, The Aces had the audience in the palm of their hand. Their performance was tight, polished, and brimming with emotion, showcasing their musicianship and ability to connect with their fans. Hits like "Girls Make Me Wanna Die" and "I've Loved You For So Long" got the crowd singing along, while the fan favorite “Suburban Blues” struck a perfect balance between heartache and euphoria. The setlist was a fantastic mix of upbeat anthems and more intimate moments, giving fans the full range of The Aces’ dynamic sound.
All in all, the night was a high-energy, inclusive celebration of music and identity, with both The Aces and Crepe Girl delivering unforgettable performances. The Aces’ ability to make every fan feel seen and heard while delivering flawless musicality proves they’re a band to watch as they continue to carve out their space in the indie pop-rock scene
McFly at Barton Aerodrome Review
Article written by and photos by Elodie Hadfield
Article written by and photos by Elodie Hadfield
McFly closed their series of outdoor shows for the summer with an incredible and energetic performance at Barton Aerodrome, Manchester the other evening. McFly are a pop-rock band who formed in the UK in 2003 and have been my favourite band to watch live for years now! I have seen them a total of seven times and they always put on the best, most energetic and feel good show and this concert was no exception.
The typical British weather attempted to dampen the spirits of the crowd by opening the heavens around two hours before McFly were due to take the stage. However, the rain certainly did not stop the crowd from having the best evening full of singing and dancing, even if the field was very muddy. Screams of excitement filled the field when YMCA kicked in, McFly’s opening song for every show. Shortly after, Danny, Tom, Dougie and Harry ran onto the stage with bundles of excitement, ready to put on a classic McFly show full of energy.
The band kicked off their set with “Where Did All the Guitars Go?” from their most recent album “Power to Play” and you best believe I was singing along in the photo pit, with the rest of the crowd. I have grown up listening to McFly, because my parents love the band, and being able to photograph and review their shows is such a pleasure and a privilege. One of the reasons I'll always watch and support McFly is because their performances are simply so full of energy and the band always look as though they are having the time of their lives on stage which creates such a feel good atmosphere at all of their shows.
As the set progressed, the band played some crowd favourites including “One for the Radio”, “Star Girl” and “Room on the 3rd Floor”. It’s safe to say the crowd were loving every minute, singing every word back at the band. I always love that there’s such a range of people who attend McFly concerts. There’s often lots of families where it’s the children’s first concert, groups of friends and couples go together and the range of ages in the crowd really shows McFly is for everyone. Whenever I go and see McFly, I always go with my mum and dad and it’s such a lovely evening to share together as a family.
McFly concluded their set with “Red” and “Forever’s Not Enough”. “Red” is a personal favorite of mine and I love that Danny jumped down from the stage for the song and sung out to the crowd from the barriers, making the night very special for the group of women at the front of the Golden Circle. The closing song of the set was, of course, “Five Colours in Her Hair”. As the McFly logo turned rainbow on the screen, the whole crowd erupted with screams as the guitars started playing one of McFly’s most famous hits.
I simply can not say enough good things about McFly and their Barton Aerodrome show. As always it was a pleasure to watch the band live, doing what they so obviously love to do and it was a true privilege to photograph and review their show. Having seen them seven times over the years aha, I can most definitely say if you love shows full of energy and fun, McFly are the band for you!
IF YOU WANT TO CATCH MCFLY LIVE BEFORE THE END OF THE YEAR, YOU’RE IN LUCK! TO CELEBRATE THE BAND’S 21ST BIRTHDAY, MCFLY ARE PLAYING TWO DATES AT THE O2 LONDON (OCTOBER 9TH AND OCTOBER 10TH). CLICK HERE TO BUY TICKETS.
NIKI review
Article written by Michael Jason Perez and photos by Natt Lim
Article written by Michael Jason Perez and photos by Natt Lim
The end of summer has a way of clinging to the air, a subtle shift that signals the twilight of something fleeting. This feeling hung over The Anthem in Washington, D.C., like a bittersweet haze as NIKI took the stage. The venue was packed with fans who came to be transported by her voice, but there was an undeniable sense of something slipping away as the night wore on.
NIKI, with her delicate yet powerful vocals, delivered a performance that felt like a tender farewell to the season. With her new album “Buzz”, her setlist was a carefully curated journey through moments of nostalgia and heartache, each song pulling the audience deeper into the emotional landscape she crafts so well. Tracks like “Did You Like Her In The Morning” and “Paths” seemed to resonate with particular poignancy, their lyrics echoing in the vast space, almost as if they were a collective reflection on the passing of love, like the changing of seasons from summer to fall.
The stage itself was bathed in soft, dusky lighting—purples, pinks, and blues blending together like the last light of day before nightfall. It was a visual representation of the emotions in the room, a mix of beauty and melancholy that complemented NIKI's soulful performance. When she played “Buzz,” there was a moment of stillness as if the entire crowd was holding its breath, savoring the last notes of the song, and perhaps the last days of summer love itself.
As the show came to a close, there was a collective sense of longing in the air. The audience lingered, as if reluctant to step back into the reality that awaited outside the doors. NIKI’s performance was more than just a concert; it was a gentle reminder of the ephemerality of moments, of memories that fade, and of feelings that linger long after the last note has been played. The night at The Anthem was a beautiful, melancholic ode to the end of summer, one that left everyone with a quiet ache and a heart full of tender memories.
CATCH THE REST OF NIKI’S TOUR HERE. HERE ARE LINKS TO HER INSTAGRAM AND SPOTIFY. GIVE A LISTEN TO HER NEW ALBUM “BUZZ” HERE.
Friday Of Leeds Festival
Article written by and photos by Elodie Hadfield
Article written by and photos by Elodie Hadfield
After attending Leeds Festival for the past three years, I knew it was time to take my camera and photograph my favourite festival. Leeds Festival always falls on the August Bank Holiday weekend and is known for bringing in an impressive list of headliners as well as supplying music for everyone. Whether rock n roll or hip-hop is your thing, or maybe you love all things pop, Leeds Festival will have you and your music taste covered.
This year Leeds Festival changed up their stages and layout. The most prominent change was the removal of the Main Stage West and the introduction of the Chevron Stage. The Aux Stage was also a new addition to the Leeds Festival map this year, which should have showcased some amazing guests such as The Useless Hotline (Max Balegde and George Clarke) and Antics With Ash (Ash Holme).
Leeds Festival had six stages this year. However, the British weather had different ideas, and due to the horrendous winds, three out of the six stages had to close on Friday 23rd August. This included the Aux Stage, BBC Radio 1 Stage, and the Chevron Stage. The Aux Stage and the BBC Radio 1 Stage remained closed throughout the duration of the festival.
However, the Leeds Festival team worked incredibly hard to ensure as many artists as possible who were scheduled to perform on Friday got to perform at other times throughout the rest of the weekend. Artists such as Seb Lowe, Ashnikko, and Skrillex were all able to perform on the Saturday of the festival, making many festivalgoers very happy!
After the Leeds Festival team gave everyone the all-clear, festival-goers were able to head into the arena around 2 pm on Friday 23rd August. The first artist of the day was Bru-C. Bru-C is a British rapper and is known for his drum and bass and rap music. After a long morning, Bru-C was the perfect artist to hype up the crowd ready for the rest of the day!
After Bru-C’s set, I headed over to the BBC Introducing Stage to catch the incredible Alessi Rose. Alessi Rose was a new name to myself but I came away from her set definitely a fan! Alessi creates the exact type of music I’d listen to and, as I’m writing this, I’m listening to my personal favourite song of hers “eat me alive” I also have to mention how much I LOVED Alessi’s outfit for her performance. The bloomers and little graphic vest were the perfect festival outfit!
After fuelling up on some cheesy chips, I headed back to the BBC Introducing Stage to watch something a bit different. The Rap Game UK is a British TV show which is hosted by DJ Target, Krept and Konan and follows their journey into finding the next big rap star. The BBC Introducing Stage was graced by the six incredible contestants from the show as they performed an energetic track they had written themselves. The whole set was recorded for the show and I can certainly say the crowd absolutely loved the contestant’s performance!
Later in the day, I saw music from both Venus Grrrls and Michael Aldag. Venus Grrrls are an alternative rock band and definitely brought loads of energy to their performance! Grace Kelly is the lead singer of the band and her vocals were incredible. Michael Aldag took to the stage shortly after Venus Grrrls. Being a lover of TikTok, I had of course seen Michael on social media already but I hadn’t heard his music before so I was super excited to see his set. It’s safe to say Michael didn’t disappoint. The crowd was singing along to every word and Michael performed with so much energy and he had an incredible stage presence!
Finally, the act I was most excited about seeing took to the Main Stage: Catfish and the Bottlemen. I have wanted to see Catfish live for years and wow they were amazing! They kicked off their set with “Longshot” and the crowd was ecstatic that the band were back where they belonged performing on the main stage at Leeds Festival after their break. The energy coming from the crowd was incredible as the whole of Bramham Park sang the words back at the band.
As the set progressed, Catfish played so many of my favourites including “Pacifier”, “Fallout” and “Homesick”. They concluded their amazing, energy-filled set with two crowd favourites “7” and “Cocoon”. After seeing Catfish and the Bottlemen at Leeds Festival I need to see them live again! They currently have two UK dates scheduled for 2025. If you’re interested click here to see where and when Catfish and the Bottleman are playing next.
Concluding the Friday of Leeds Festival was Liam Gallagher. Liam played the entirety of the Oasis album “Definitely Maybe” which the crowd absolutely loved! A couple of the crowd favourites were “Rock n Roll Star”, “Supersonic” and “Live forever”. Liam Gallagher was the perfect finish for Day 1 in Bramham Park.
IF YOU MISSED LEEDS AND READING FESTIVAL THIS YEAR, YOU CAN KEEP UP TO DATE WITH ALL THINGS LEEDS AND READING ON INSTAGRAM TO MAKE SURE NEXT YEAR YOU HAVE THE BEST AUGUST BANK HOLIDAY WEEKEND, SINGING TO YOUR FAVORITE ARTISTS IN THE FIELD.
Detroit loves Faye Webster
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
For the first time since 2021 Faye Webster brought her summer tour through Michigan making a stop in Royal Oak at the Royal Oak Music Theatre, it is an understatement to say that all of Michigan made their way over to this show. The surge in Faye’s popularity in the public eye since the last time she made an appearance in the Detroit area was exponential leading to a sold out and majorly packed house at this show. Along with the quantity of bodies, energy and heat in the room came the obvious health and safety issues and even in the midst of these problems arising props to Faye, the wonderful security team at the Royal Oak music theatre and supporting act Julie and the way they quickly assessed the situation and with poise handled it efficiently and with great love and care for concert goers.
On the topic of opening band Julie, this band along with handling the adversity thrown at them at this show from fans passing out and a literal amplifier catching on fire towards the end of their set with class and still managing to absolutely tear off the roof of this theatre with their heavy indie alt rock sound. This Grunge/NuGaze band from Orange County, California has made a swift rise in the past year in the alt rock community going on a european tour, new single “Clairborne practice” making waves and tagging along with Faye Webster on this recent tour. This band's vivacity and musical prowess truly shone at this show with their ability to get a young and tame crowd genuinely rocking out. Make sure you hop on this train because the next stop for this group is stardom.
As the light dims for the headline act we are greeted by a Minions led intro to “but not kiss” and out comes Atlanta bred artist Faye Webster and the crowd goes insane expressing their fandom in decibels. With an intricate and engaging set design incorporating elements adhering to the theme of her most recent album Underdressed at the symphony the stage setup included a giant set of washing machines and an assortment of other laundry related items alluding to the album art for this album. As the night continued concert goers were taken on a trip through Faye’s quaint but powerfully complex musical catalog with songs from her most recent album aforementioned like “lego ring” one of the singles released in the campaign leading up to the album release featuring lifelong friend and musical force in his own right Lil Yachty and older work such as “ a dream with a baseball player” from her album i know im funny haha and crowd favorite and hit song “johnny” along with “johnny (reprise)” a heart wrenching poem following the same musical backing as the song before it from her album atlanta millionaires club and from that same album “right side of my neck” which was accompanied by one of the most fun forms of pyrotechnics, bubbles. And capped the night off with the song that launched Faye into the mass public eye “Kingston”, blowing up on no other than the world's newest and quickest catalyst for the stars of this generation's swift rise to fame. With slight deviations from the record form of songs as expected from an artist of her musical stature and a band with decades of experience between them performing and putting on unforgettable shows for fans to witness. This show is an unforgettable experience that you won't want to miss.
FIND FAYE WEBSTER AT HER INDIVIDUAL LINKS: SPOTIFY AND INSTAGRAM. WHENEVER YOU GET A CHANCE BE SURE TO CHECK OUT FAYE WEBSTER’S MUSIC AND LISTEN TO HER MOST RECENT WORK “UNDRESSED AT THE SYMPHONY”
Northlane Show Review
Article written and photos by Vanessa Holt
Article written and photos by Vanessa Holt
At the beginning of summer, Northlane embarked on the Mirror’s Edge North America Tour with a completely stacked lineup with support from: Invent Animate, Thornhill, and Windwaker. This Northlane show was the metalcore show of the month for all Salt Lake fans.
Windwaker and Thornhill were a blessing of an addition to the lineup with being two of the most up and coming bands in the scene. Both bands come from Australia and have a unique sound of their own that just so happens to fit perfectly on the lineup. Windwaker’s setlist had a range of songs from their newest album, Hyperviolence that was released earlier this month we got to hear songs such as Get Out and Fractured State Of Mind. Thornhill also played a variety of songs from their newest single, Obsession and older songs that are just classics such as Casanova. Thornhill’s set was filled with so much energy they have the perfect moody, strong emotional edge to their songs.
Coming in strong as the direct support, Invent Animate took the stage, and the energy of the room had immediately gone up. The band has had a fan base that has been increasing every year since their return to the music scene thanks to all the amazing supporting spots the band has taken on, every time I continue to see the band perform the audience grows and increases. Invent Animate played a perfectly curated setlist with songs such as Shade Astray and Purity Weeps, with a moshpit that stayed open during the entire set and a consistent stream of crowd surfers, Salt Lake made sure to give it their all. They ended with a strong closing of Immolation Of Night with an absolutely unbeatable breakdown, that had one of the best wall of deaths that had come out of the show so far.
Closing out the night with Northlane, the band continues to give an epic and absolutely unforgettable experience. The band crushed through their setlist song after song and never faltered the minute they had set foot on stage even due to the intense heat that filled the room. Northlane had performed basically the latest EP in full, excluding Let Me Disappear but it wasn’t a major loss. During Kraft the band welcomed on stage, Jacob Charlton the vocalist for Thornhill for the featured spot on the song. They even had thrown in a surprising twist of mixing together, Worldeater, Dispossession, and Jinn for an interesting but memorable mash-up. With the intricate guitar work and a perfect mix of Marcus Bridge’s aggressive screams and clean vocals, nothing beats their live performance.
Postmodern Jukebox 10 Tour
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
Scott Bradlee’s Postmodern Jukebox a rotating musical collective founded by pianist Scott Bradlee in 2011 brought their 10th-anniversary tour to The Fillmore in Detroit on the 24th of July. Playing a collection of reworked covers of some of the biggest pop songs of this generation. This collective has turned into a star in its own right playing thousands of shows around the world.
Host and male vocalist Rogelio Douglass jr kicked off the night with loads of humor and a rundown of how the eclectic night would go, the anticipation of a pure form of entertainment and spectacle surged through the room in a way that you would compare to a carnival but instead of lions, clowns and rings of fire the show consisted of hearing Broadway level performers adjust your favorite classics in the best way possible and transporting you into history at the same time. With stand-out performances of “Seven nation army” by The White Stripes converted into a New Orleans dirge cover, “love story” by pop icon Taylor Swift in the 1940s Bebop Le Boheme form, “Pour Some Sugar On Me” by Def Leppard reinvented as a 60s soul cover and breathtaking rendition of “ use somebody” by Kings of Leon performed by host Rogelio Douglass jr.
There is not another show that encapsulates the same creative energy and flare that Postmodern Jukebox is able to cultivate live and with the 10th anniversary milestone in the books make sure to check out this collective to see what’s in store next.
A Day to Remember Like Today
Article written by and photos by Alec Moody
Article written by and photos by Alec Moody
A Day To Remember's latest tour, "The Least Anticipated Album Tour 2024," was an incredible showcase of pop-punk energy and nostalgia, featuring a killer lineup of opening acts that set the stage for an unforgettable evening. The first openers, Scowl, delivered an electrifying performance, it was my first time seeing them live, and I was semi-familiar with them due to SLC’s Hardcore scene and previously seeing fellow photographer ‘Adam Degross” stellar photos from one of their previous performances in Utah. Kat Moss kicked off their set with "Retail Hell" and "Sold Out," before closing with a fan favorite "Opening Night." Their kick-ass and energetic set pumped up the audience, creating an atmosphere of excitement and anticipation for the bands to follow. If you haven’t taken the time to listen to Scowl and/or Moss’s incredible scream, I highly suggest you go listen to “Shot Down” as an introduction to just how killer this group is.
The second opener, Four Year Strong, captivated the audience from the first chord of "Brain Pain." The crowd was fully engaged, singing along and head bobbing to each song. Their performance included their hit "daddy of mine," which had the people at the barricade shouting the words back at the band and head-banging. They closed their set with "Wasting Time (Eternal Summer)," a classic song off of their 2010 album “Enemy Of The World” that resonated with both longtime fans and newcomers alike, leaving the audience craving more. I’d suggest listening to “Uncooked” to get an idea on how sick this pop-punk / easycore group sounds.
The third opener, The Story So Far, took the stage with lead singer Parker Cannon greeting the fans. His casual yet stylish ensemble of jeans and a Palace X Umbro designer t-shirt instantly caught my eye. The band wasted no time, diving straight into their set with "Big Blind." The energy continued to build, as they transitioned to "All This Time" which quickly ignited into heavy moshing at the front of the barricade. Despite the security team's efforts to keep everyone in order, the raw energy was unstoppable. They finished their set with "Nerve," a perfect pop-punk finale that left the audience shouting and clapping for more. I was not as familiar with The Story So Far, but as I was driving up to the show I shuffled around their latest album “I Want To Disappear” and would suggest listening to that whole album because there wasn’t a single skip.
As A Day To Remember prepared to take the stage, the anticipation was palpable. They launched into their performance with an explosive rendition of "Sticks and Bricks," filling the sky with colored confetti as Jeremy McKinnon belted out the opening lyrics. Being in the photo pit, I had the incredible experience of capturing Jeremy's dynamic stage presence, with numerous moments where he made direct eye contact and actively engaged with my camera. The whole band played an extensive setlist, spanning from their classic album "What Separates Me From You" to their latest release "For Those Who Have Heart." A standout moment was their cover of Kelly Clarkson's "Since U Been Gone," originally performed in 2010, which added a nostalgic touch to the night for me. Throughout the set there were multiple times when people were being crowdsurfed and at one point, people began crowdsurfing on top of the crowdsurfers which further ignited the band and in turn, the crowd with even more energy.
I have personally dreamt of seeing ADTR in concert since I first heard “Out Of Time” back when I was in 6th grade. This group was been one of my literal anchors throughout all of my conscious life and they have been a pivotal band in forming me as a person and my musical interests. Towards the end of their set, I sat my camera down, closed my eyes, and just let all my emotions wash over me, feeling tears run down my face. I couldn’t help but think back to me as a twelve-year-old kid who needed this band, at such a core time of my life. This concert was everything I had ever dreamt it to be, a perfect blend of high energy, emotional connection, and unforgettable music.
Hobo Johnson in Royal Oak, Michigan
Article written and photos by Jordyn Ward
Article written and photos by Jordyn Ward
Frank Lopez jr also known as Hobo Johnson a 29-year-old musician from Northern California, Recognized most popularly for his song peach scone which blew up on the internet for its quirky theme and creative storytelling, and his tiny desk concert in 2018 that brought his name to the masses, brought his HJ Drinks Tour to the Royal Oak music theatre in Michigan to bring a show full of comedy gold in the form of crowd banter and poetry in the form of music. With up-and-coming openers, Baby Jake and Remo Drive this evening would chalk up to be a Tuesday night for the books.
Openers Baby Jake and Remo Drive independently quickly became fan favorites with an indie sound resembling that of indie rock bands Peach Pit and The Backseat Lovers and a stage presence that has surely been cultivated by many years of performing.
Find Remo Drive at their individual links below:
Then when Hobo Johnson finally made his way to the stage a banner dropped and a fridge-like stage prop swung open revealing a spotlight on Hobo Johnson and his band the lovemakers made their way to the stage with great enthusiasm and seemed to recognize a few fans in the crowd. They opened with one of his most popular songs Romeo and Juliet and this immediately sent the crowd into action as they recited word for word bar for bar of each and every bit of the setlist going all the way up until his most famous song Peach Scone and aside from a few hiccups including a fan seemingly passing out the night went smoothly and timely from top to bottom full of laughter and amazing musicianship and stage work.
FIND HOBO JOHNSON AT HIS INDIVIDUAL LINKS: SPOTIFY AND INSTAGRAM AND IF YOU EVER FIND YOURSELF IN A POSITION TO SEE THIS SHOW LIVE, TAKE IT!
PVRIS Concludes North American Tour in Los Angeles
Article written and photos by Natalie Ryan
Article written and photos by Natalie Ryan
On July 12th, pop-rock act PVRIS completed the North American dates of their tour at The Wiltern in Los Angeles. This tour was immediately following a run of European shows. They were joined by English rock band Pale Waves and alt-pop musician Sizzy Rocket. With a lineup of great acts and queer artists supporting each other, it was more than worth it to show up early to see everyone.
First up was Sizzy Rocket, a multi-hyphenate solo act who released her debut album and started her independent record label both in 2016. The songs she performed were sexy, fun, and confident, and the crowd was into it. In a barely-there bodysuit, with no backup, her stage presence and poise clearly gave off her star potential. She brought out a guitar halfway through her set and eventually a keytar nearly as big as her, which can only be described as sick as hell. I especially liked the song “Tattoos” from her 2019 album “Grrrl”.
Find Sizzy Rocket at her individual links below:
Next was Pale Waves, a band that belongs on any 80s-inspired soundtrack or playlist. The band consists of Heather Baron-Gracie on lead vocals and rhythm guitar, Ciara Doran on drums, Hugo Silvani on lead guitar and keyboards, and Charlie Wood on bass and keyboards. I became a fan of them when their first album “My Mind Makes Noises” came out in 2018, which I loved, and I came back to them when their third album “Unwanted” was released in 2022. I was happily surprised to find I knew the words to every song they played with the exception of the new single “Perfume”. I genuinely felt 18 again, while listening to “Eighteen”, and whether the crowd knew Pale Waves or not, they were enjoying it as well. Baron-Gracie, a lesbian, announced they were about to do something special for the lesbians (which is descriptive of the entire show, really), before playing “She’s My Religion”, with Lynn Gunn of PVRIS joining the band. The crowd went wild, and the colors of the lesbian flag lit up the stage. They finished the set with “Jealousy”, one of my personal favorites and a strong closer.
Find Pale Waves at their individual links below:
PVRIS came out swinging with “GOOD ENEMY”, a fast, flashy, and emphatic song. The stage production was dark and moody, with strobing lights to the beat that perfectly matched the energy of the music. PVRIS is formally Lynn Gunn on all instruments, and currently when touring, former full-time member Brian Macdonald joins on bass and keyboards, along with Denny Agosto on drums. Their debut album, “White Noise”, was released in 2014, part of the Warped Tour-era of new bands, with a dark synth-pop-rock sound and Gunn’s flawless vocals immediately exciting the scene. That album will always be special to me and I’ve been a fan since its release. The first time I saw PVRIS was in 2015, and I met one of my best friends to this day waiting in line for their meet and greet. I only missed one of their tours after that. I am being “SENTI-MENTAL” (which they also played), but seeing this show really meant a lot to me.
A big highlight of the night was Tommy Genesis and Alice Longyu Gao coming out to perform their recent collaboration “Burn The Witch” for the first time live! Another gift was getting to hear “Oil & Water”, one of PVRIS’ latest singles where Gunn’s vocals are really on display, a heartfelt song about being pushed away from the one person you want to pull you close. Powerhouse songs like “HYPE ZOMBIES”, “Monster”, and “I DON’T WANNA DO THIS ANYMORE” really got everyone going, understandably so. They finished with an encore of “My House” and “GODDESS”, while everyone in the room sang and jumped along. Sizzy Rocket also came out for the end of the last song with her keytar, a perfect way to close out a tour. PVRIS always puts on a great show, and they just keep getting better, especially with the release of their album “EVERGREEN” last year.
A PVRIS show is a beautiful place, mostly because it’s full of lesbians enjoying themselves and the music that was made for them, but no matter who or where you are, it’s always a good place to be. PVRIS will do that for you, and we should thank them.
Queefers Rise Up In SLC
Article written by Destiny Ross and photos by Destiny Ross & Alec Moody
Article written by Destiny Ross and photos by Destiny Ross & Alec Moody
Queef Jerky is a band for the people by the people. On their latest tour through Salt Lake City, at the Soundwell, they proved that to us. Dev and Nick, both talented in other ways than this band, have created a world of music made to “outlive”* the world as we know it. They have made music that has connected and created fandoms of different diverse age ranges, interests, etc. Their experimental and collaborative project, being made to be “post-music-music” really encapsulates what vibe they are going for. Fun and wacky, of course…
They recruited Orange Soda, a local hyper-pop group, composed of three brothers, to fill in for Lenny Zen… who was supporting the first half of the tour but wasn't able to make this date. Orange Soda brought the heat to the stage as they came out in full hamster onesies with matching hamster wife beaters on. They were committed all throughout their set as they took the stage dancing and belting their hearts out. With them all being a part of their own projects, coming together to be one with this project is beautiful with their collaboration on stage and in music. They were entertaining between songs and interactive with the crowd as they talked to us and made us feel welcomed.
Find Orange Soda at their link below:
After a short set change and a few stagehands getting cheered on, the moment everyone was waiting for was finally there. Most of the crowd were in PJs, per Queef Jerky’s dress code they made, and I can vouch for everyone and say we were sweaty but ready being in Utah summer. The crowd went understandably, absolutely berserk as Nick took the stage. He first did some crowd work as he then took to his drums, and drums Dev in to take the stage as well. Both of them in PJs ready to play along with the crowd and have a good time.
They played a variety of songs throughout their whole entire discography which was nice for new and old fans alike. Newer fans were able to hear hits such as DON’T TALK BACK TO LADIES and MICHAEL PAUL and fans from their earlier days got to hear hits like PINEAPPLE UPSIDE DOWN and QUEEF STEW. In between sets they were given many things from their fans as they have a very tight-knit relationship with their fans. They also continuously made the audience laugh and scream back at them as they told us things about the album and told us things about each song.
They truly provide an otherworldly type of stage presence when it comes to being a two man band taking up a whole stage… They do it easily and beautifully. Dev sounds even better live than you think she would and by that I mean she sounds exactly like their recording but with more raw emotion while also providing dancing in between during Nick’s lyrics and even her own. Nick provides energy that the whole night needed but didn't know it. He brought excitement to the set and unpredictable moments with the drums. Nick got up from behind his drums during the set to, fortunately, interact with the audience and give them hoodies that were stained at some point on tour, so they signed them and gave them away to select fans that night.
If you have never seen them live I definitely suggest and encourage it for the experience ALONE. If you’re a fan already then you should see them regardless but if you have no idea who they are, go to a live show and experience the vibes they bring to the table and bask in the glory of their talent collectively together in one project.
Cage The Elephant Sets SLC Ablaze in Tour Kickoff
Article written by and photos by Alec Moody
Article written by and photos by Alec Moody
On June 20th, 2024, Cage The Elephant kicked off their much-anticipated tour at the Utah First Credit Union Amphitheatre with an electrifying performance that set the bar high for the rest of the tour. The evening began with the artist Willow Avalon, whose melodic country tunes welcomed concertgoers. Though I was unable to see her performance directly, her voice and captivating melodies drifted through the air, providing a sweet prelude to the night we’d had ahead. It was clear from the reactions of those who were able to catch her set that Willow Avalon had made a memorable impression on Salt Lake City.
Following Willow Avalon's enchanting opening, the stage was taken by Bakar, an English artist who has amassed a very large following throughout the UK and US. His set brought a chill, yet extremely danceable laid-back vibe that seamlessly transitioned the audience into the night. Bakar’s smooth vocals and relaxed beats resonated well with the crowd, as he opened up with “All In” creating an intimate atmosphere that allowed everyone to settle in and fully immerse themselves in the musical journey that was unfolding. His performance was a perfect balance of mellow and energetic, setting the tone for the act that was set to follow.
As the night continued, Young The Giant took the stage, and the energy in the amphitheater began to climb. Known for their melodic rock sound, the band played a healthy amount of both new hits and beloved classics, They opened up with “Jungle Youth” and seamlessly transitioned to “The Walk Home”. Which they then transitioned to my favorite song and the one I was the most excited to hear, “Cough Syrup”. Their performance was nothing short of energetic nostalgia, with fans jumping and singing along to every song. Young The Giant's dynamic presence and powerful setlist kept the audience on their feet and eagerly anticipating the headliner.
Finally, the moment everyone had been waiting for arrived as Cage The Elephant stormed onto the stage amidst a dramatic display of flames shooting high into the night sky. Their explosive opening to the night began with “Broken Boy” from the first chord, the band's energy was palpable and the crowd erupted with screams and cheers. With a setlist that included tracks from their newest album "Neon Pill" alongside fan-favorite classics like Melophobia, Cage The Elephant delivered a high-octane performance that had everyone jumping, dancing, and singing at the top of their lungs. The seamless blend of new and old songs showcased their versatility and ensured that every fan left wanting more, marking the first show of their tour as an unforgettable night and celebration of classic alternative music.
CSH performs at the Woodland Park Zoo
Article written by and photos by Jupiter Schuchart
Article written by and photos by Jupiter Schuchart
On a calm summer evening, the tranquil surroundings of Woodland Park Zoo were transformed into a pulsating hub of indie rock fever as Car Seat Headrest took the stage that night. It was the first time the band had performed all together after frontman Will Toledo battled with his health.
The opening act set the tone with an energetic performance, but it was clear that the audience was eagerly awaiting the main event. Guitarist Ethan performed a cover from Toy Bastard, with the song “Daddy Was A Starship Captain,” as drummer Andrew painted on the stage. Every brush stroke hitting the canvas along with the music made the fans more and more eager to see the final piece and await the rest of the band to come out. When Will Toledo finally emerged, they were met with a roar of cheers and applause.
Frontman Will Toledo, known for his reflective lyrics and distinctive voice, did not disappoint. The band opened with "The End of Dramamine," immediately drawing the audience into their world of raw emotion and intricate melodies. Toledo’s vocals were as raw and powerful live as they are on record. The fans sang loudly along with every lyric having the crowd and band’s energy bounce back and forth from each other making, electrifying the whole zoo with their spirit.
The setlist was a well-curated mix of old favorites and newer tracks from released to unreleased that the band had not performed altogether in many years. Songs like "Drunk Drivers/Killer Whales" and "Something Soon" were met with enthusiastic sing-alongs, while die-hard fans were excited for songs like “Stoop Kid” and “Cosmic Hero” to make a return to the setlist. Meanwhile deeper cuts like "Beach Life-in-Death" showcased the band's versatility and depth.
One of the highlights of the evening was an extended jam session during "Destroyed by Hippie Powers," where each member had a moment to shine. The energy was infectious, with the audience dancing and swaying to the hypnotic rhythms. Another highlight was a surprise cover song from “Dreams” originally released by Fleetwood Mac. Hearing Will Toledo's raw voice along with the song did not disappoint with the passion and emotion he delivered within the song.
As the night drew to a close, Car Seat Headrest treated the audience to an encore, finishing with "Around," a song that encapsulates heartache, doubt, and confusion. The crowd's applause and cheer lingered long after the last notes faded.
In conclusion, Car Seat Headrest’s concert at Woodland Park Zoo was worth the long wait. The band’s passion shone through, making it a night to remember for all in attendance. The combination of a beautiful performance and a unique venue made this concert one to hold close and remember for years to come.
FIND CAR SEAT HEADREST ON SPOTIFY AND INSTAGRAM TO STAY UP TO DATE ON THEIR LATEST.
Taking Back Sunday - The Union Event Center / Salt Lake City, UT
Article written and photos by Vanessa Holt
Article written and photos by Vanessa Holt
Following the release of their latest album, 152 Taking Back Sunday has hit the road this summer in celebration of the album release. The tour made a stop in Salt Lake City at The Union Event Center and we kicked off the summer night with a performance from Citizen, they started their set with I Want To Kill You from their album Life In Your Glass World and they had planned that perfectly, it was the perfect song to get the crowd up and off their feet. The energy in the room immediately changed once the song started with fans headbanging all along the railing and fans throughout the whole crowd jumping, during the chorus the volume of the crowd was matched exactly with the band and it was the perfect blend.
The energy stayed consistent throughout Citizen’s set even for some of their more mellow songs such as Blue Sunday. Their setlist was enough to get everyone moving a little in preparation for Taking Back Sunday, even concertgoers who had never seen nor heard of Citizen couldn’t resist not moving throughout the set. With an amazing opening, they had a killer ending closing their set with Death Dance Approximately, which is one of the most infectious songs to exist off the album, especially with a great drum beat and crazy bassline. Citizen’s raw indie pop punk was the perfect opening to the night.
Find Citizen at their individual links below:
Taking Back Sunday took the stage shortly after with a stunning entrance with the stage being backlit and a neon “152” in the middle for the band’s backdrop, it felt like one of those “as time stops” moments for the crowd to be hit with the realization that once again their favorite band is back on stage in front of them, they started their set with S'old off their new album. Their setlist had a good chunk of the new album scattered throughout, but they couldn’t leave their die-hard fans hanging, they had perfectly incorporated all the older songs throughout the setlist such as MakeDamnSure and A Decade Under The Influence since after all they do make some of the best sing-along songs.
Taking Back Sunday has always been one of those staple bands for the indie/rock scene and has been around for quite some time. Everyone can agree that it’s never a dull time seeing them perform at any stage of their career, every time they take the stage they’ve always put on a stellar performance with their meaningful songs that have made it so easy for fans to connect with them. Taking Back Sunday continues the 152 tour all summer long till the end of August.
A Night with Mother Mother & Cavetown in Los Angeles
Article written by and photos by Natalie Ryan
Article written by and photos by Natalie Ryan
On June 8th, Mother Mother and Cavetown’s massive North American co-headliner made a stop at The Torch at the LA Memorial Coliseum in Los Angeles. Only the second show of the tour, everything ran smoothly and was a perfect way to start off the summer. They were joined by Meet Me @ The Altar, who started off the night with their great energy and fun songs. The all-female pop-punk trio has been on my list to catch for a few years now, and I only wish I could’ve seen them for longer than their opening set. The song I enjoyed the most live was “Say It (To My Face)”, an upbeat “diss track” to online trolls.
Find Meet Me @ The Altar at their individual links below:
Next up was Cavetown, coming on stage to a mushroom backdrop and a tree stump platform for the mic stand. Cavetown is also known as Robbie Skinner, a singer-songwriter born in Oxford and raised in Cambridge, England. Skinner and his touring band came out wearing matching green overalls with insects on them, bugs being a common Cavetown theme. There were numerous diehard Cavetown fans in the audience, many wearing frog hats, holding plush frogs, and wearing mushroom or bug themed outfits. Cavetown songs tend to be very personal and tender, not to mention relatable to the fans that form a deep connection to them. During “This is Home”, someone in the audience gave Skinner a transgender pride flag and they held it up for the rest of the song. Skinner is trans, using he/they pronouns, and uses his music to explore themes of gender and sexuality, another relatable connection point for fans. Fresh off of EP release “little vice” in May, they played “let them know they’re on your mind” and “alone”, as well as a mix of older and newer songs. When “Boys Will Be Bugs” started playing, the crowd went the craziest it had been all night, only to be amplified immediately afterwards for “Devil Town” as the last song of the set. While I’m not a huge fan like many of those in the crowd, Cavetown put on a great show and was easy to listen to and enjoy as someone that doesn’t know all the words. My favorite part of the set was to see the fans in the very front just completely lose their minds screaming to all the words; it was clear how much that night meant to them.
By the time Mother Mother was about to come on, it had gotten dark. The Canadian indie rock band, consisting of Ryan Guldemond on guitar and vocals, Molly Guldemond and Jasmin Parkin on vocals and keyboard, Mike Young on bass, and Ali Siadat on drums, formed in 2005. Opening with “Nobody Escapes”, the first track off their ninth studio album “Grief Chapter”, released earlier this year. Everything happening in their set was flawless, from the dramatic red lighting to Molly and Jasmin’s voices layered together. They played their song “The Matrix”, and added in some of “Where Is My Mind?” by Pixies, a sound that really suits Mother Mother. Ryan dedicated “Body”, off their second studio album, to anyone that doesn’t feel comfortable in their own skin. He also talked about how much he loved playing music with his sister, Molly, before they played “Sleep Awake”, the first song he wrote for her, which features her singing prominently.
They played a stripped-down medley of “Dirty Town / Neighbour / Wisdom / Ghosting / Little Pistol / It's Alright”, a highlight of the entire show. They continued with the stripped down set up for “Oh Ana” and “Wrecking Ball” before transitioning back to the full band setup during “Verbatim”. They played one of their biggest hits, “Hayloft”, which started getting noticed twelve years after its release on TikTok. It tells the story of a young couple hiding from one of their fathers, who has a gun. The success of the song twelve years later caused the band to release a sequel, “Hayloft II”, the story ending with revenge as the protagonist kills her father for murdering her lover
After this, the band left the stage, only to come back to play “Burning Pile”, another crowd favorite. As the red confetti cannons went off, the band and the crowd gave the last song their all before the night was over. Mother Mother put on an amazing show for fans and strangers alike and I would absolutely recommend seeing this tour before it’s over.
UPSAHL - The Complex / Salt Lake City, UT
Article written and photos by Vanessa Holt
Article written and photos by Vanessa Holt
One of the most iconic popstars of this time, UPSAHL opened up for Madison Beer on The Spinnin’ Tour. The tour stopped in Salt Lake City at The Complex and there was no better opener than UPSAHL. With a short time slot, UPSAHL didn’t hold back on getting the energy up in the room, she kicked off her set with Lady Jesus which has to be a national anthem for all women. Salt Lake fans are no strangers to UPSAHL though, she had die-hard fans scattered throughout the crowd who cheered her on and sang along to all the songs.
At one point she even noticed a fan who had brought a bouquet of roses to her which was one of the sweetest exchanges. UPSAHL’s setlist was the perfect blend of old and new songs; such as Lunatic from her first album ever Lady Jesus and GOOD GIRL ERA (SIDE A) from UPSAHL PRESENTS: THE PHX TAPES her latest album released late last year in 2023. To really top off the killer setlist she even performed her newest single, Summer so hot which is guaranteed to be a top-tier song of the summer.
UPSAHL IS AN ARTIST WHO IS NOT TO BE MISSED AND PUTS ON AN INCREDIBLE, ENERGETIC, AND UPBEAT PERFORMANCE THAT MAKES IT A NIGHT TO REMEMBER.
Slam Dunk Festival North Review
Article written by and photos by Elodie Hadfield
Article written by and photos by Elodie Hadfield
Slam Dunk Festival: a day of rock, punk, and emo music to remember. Situated just twenty minutes outside of Leeds City Centre, Slam Dunk is known for its incredible lineups and energetic crowds, and WOW did the festival deliver on both of these this year! Every single artist brought insane amounts of energy to the stage, making for a truly unforgettable day. It’s safe to say the awful British weather did not dampen the spirits of Slam Dunk Festival goers.
Slam Dunk had five different stages all with a range of incredible artists performing on them this year. The grounds were well laid out and the range of stages ensured everyone’s music preferences at the festival were accommodated. The Slam Dunk team worked incredibly hard to put together a diverse lineup to ensure everyone was happy, whether you’re into pop-punk and pop-rock or heavy metal, Slam Dunk had you covered!
Kicking off the morning was the amazing As December Falls, playing on the Slam Dunk Stage. What a perfect way to start an energetic and lively day full of fantastic music. As December Falls were a new band to me, however after having the privilege of hearing the band perform live I will definitely be adding their songs to my playlists. My personal favourite was “Ride”. Shortly after watching As December Falls, I ventured through the very muddy fields of Temple Newsam to the Key Club Stage to watch Guilt Trip perform. Guilt Trip is a Manchester-based band, known for their heavy metal music. Their set was electric and the crowd loved it, mosh pits forming constantly even in the rain. If heavy metal is your thing, I definitely recommend checking out Guilt Trip.
Later in the day, As Everything Unfolds took to the Kerrang! Stage. I have had the absolute pleasure of photographing As Everything Unfolds previously so I knew the Slam Dunk crowd was in for a treat! As Everything Unfolds started their set with a bang, playing “Slow Down”. People jumping, head banging, crowd surfing and creating mosh pits, it was obvious As Everything Unfolds was a crowd favourite.
While attending Slam Dunk Festival, I discovered so many new incredible artists. One of my favourite new artist discoveries had to be Against the Current. Against the Current is a pop, rock band from New York. The lead singer Chrissy Costanza’s stage presence was unmatched and Against the Current’s show was definitely a stand-out performance of the day. Another new discovery was RØRY. RØRY played to a very busy Kerrang! stage and definitely brought the bucket loads of energy. Ever since I saw RØRY’s set at Slam Dunk, I have been listening to her album ‘Family Drama’ on repeat.
As the day went on and the field got even mudder (not that you’d believe that was possible!), one of my must-see artists took to the stage: The All-American Rejects. I was so excited when I saw The All-American Rejects were performing at Slam Dunk. They are a band I have been wanting to see live for absolutely years. As the crowd screamed and cheered, The All American Rejects ran out onto the stage and kicked off their set with ‘Swing-swing’. As the set progressed, the band played some of their most popular songs including ‘Dirty Little Secret’ and ‘Gives You Hell’. It’s safe to say both of these songs were definitely crowd favourites.
Finally as the sun started to set, You Me At Six took to the main stage, and wow… what a performance. I have seen You Me At Six live previously, so I knew the Slam Dunk crowd was going to have the absolutely best finish to their day. The setlist was truly amazing! There was such an excellent range of songs from all the different You Me At Six albums. When the sun had set and the stage lights were the only thing illuminating the crowd, You Me At Six kicked in with my all-time favourite YMAS song “Take On The World”. Seeing “Take On The World” live, as I stood in a field with thousands of other people belting out the lyrics was such a beautiful moment I will always remember. The set concluded with another couple of my favourites including “Underdog” and “Beautiful Way”. Truly, You Me At Six were the perfect headline act to finish off such an exciting day of music.
If you missed Slam Dunk North and South this year you can keep up to date with all things Slam Dunk Festival on Instagram to make sure you’ll be in the fields, seeing some of your favourite artists live in 2025.
IF YOU MISSED SLAM DUNK NORTH AND SOUTH THIS YEAR YOU CAN KEEP UP TO DATE WITH ALL THINGS SLAM DUNK FESTIVAL ON INSTAGRAM TO MAKE SURE YOU’LL BE IN THE FIELDS, SEEING SOME OF YOUR FAVOURITE ARTISTS LIVE IN 2025.
Movement Festival 2024 Review
Article written by and photos by Jordyn Ward
Article written by and photos by Jordyn Ward
In summarization, the experience of Movement 2024 was the feeling of being young. Dancing like there is no eyes on you in a sea of 1000s of attendees, Drinking like the morning isn’t approaching, watching your favorite DJs put on unworldly sets, and being engulfed in the heart of Downtown Detroit by skyscrapers and the view of the water. With hundreds of performers and nights that never end with after parties going until the next day’s sets begin if you’ve ever wondered what you could do to experience youth this was a festival that had the ability to do it.
The standout performances of the weekend have to go to Stacey Pullen a Detroit native with decades in the techno industry, DJ Holographic the funk machine herself, Dom Dolla coming off of a historic Coachella performance, Italian DJ, Adiel who is known for her hypnotic music and boiler room performance and Ludacris the man of many of many talents ranging from starring in one of the biggest action franchises in the world to being one of the biggest and most influential rappers of all time. Sadly Day 2 was rained out missing out on highly anticipated sets from Avalon Emerson, Nicole Moudabar and Sama’ abdulhadi, Ellen alien and a few others.
Despite the weather conditions shortening the weekend, this festival featured everything that a person needs for a great time from a variety of cultural cuisines, decently priced drinks that’ll make your night memorable the scenery out of a coming-of-age film, and unforgettable performance from the best of the best.
TECHNO, EDMN, RAP. EVEN WITH IT’S IMPERFECTIONS, THIS FESTIVAL IS WELL WORTH PUTTING IT IN YOUR SCHEDULE FOR 2025
Melanie Martinez Trilogy Tour Review
Article written by and photos by Sila Sungur
Article written by and photos by Sila Sungur
Melanie Martinez brought her Trilogy Tour to Ball Arena in Denver, Colorado on May 20th, 2024, alongside her openers, Men I Trust and Beach Bunny. Beach Bunny started the night off strong with over half the arena already seated and singing along. They took the stage for about 8 songs, most of which the crowd was already familiar with! Men I Trust shortly followed with their 10-song set, starting with their hit, “Show Me How.” Their slower, chill vibe sated the audience’s excitement before Melanie hit the stage.
Find Beach Bunny at their individual links below:
Instagram & Spotify
Find Men I Trust at their individual links below:
Instagram & Spotify
The tour consists of Melanie’s three eras, Cry Baby, K-12, and Portals, giving the audience a full two-hour set. the show began with the Cry Baby era. Throughout the era Melanie had heart-shaped balloons as well as bubbles circling the arena. Her backup dancers were introduced with the first song and they did NOT disappoint. She also had a series of inflatable props that switched out between songs, including candles for “Pity Party.” I will say with the number of visuals she has as well as the symmetry of the stage and dancers, the center of the arena has the best view of her set, however, the screens adjacent to the stage made up for it and make the show look good from various angles.
When switching to the K-12 era, Melanie not only changed the songs, props, and stage design but both she and her backup dancers changed outfits. She played a well-crafted set with an even amount of songs solo vs. songs with her dancers, who seemed to play the roles of her peers. The nice balance made for opportunities for more intimate moments with her audience. The K-12 section ended with Melanie being shot with an arrow and “killed,” then being lowered below the stage.
After her interlude, she came to the Portals era, starting off with her song “DEATH” containing the lyrics “I’m back from the dead,” and I LOVED this transition. She, of course, had another outfit change and wore the faerie costume. The artistry in Portals is what makes it my favorite Melanie Martinez album. She included more effects in the final section by adding smoke on the stage and pyro and ending the show with butterfly confetti.
All of the eras had their own quirks making them a memorable part of the night. Cry baby and K-12 had those nostalgic elements to make you feel like a kid again, and Portals just felt like a work of art, making it unique and creative. This is definitely a show you do not want to miss.
FIND MELANIE MARTINEZ ON INSTAGRAM & SPOTIFY AND CHECK OUT THE TRILOGY TOUR FOR A CHANCE TO SEE HER IN A CITY NEAR YOU.
Trophy Eyes Continues US Tour in Los Angeles
Article written by and photos by Natalie Ryan
Article written by and photos by Natalie Ryan
Australian punk rock band Trophy Eyes stopped by Teragram Ballroom with support from House & Home and Rarity in Los Angeles on May 16th, over halfway through their tour. From Richmond, VA, alternative rock band House & Home got the crowd moving to start off the night. Hailing from Hamilton, Ontario, post-hardcore band Rarity kept the good energy going onstage. With their third studio album released in June, the Canadian band has been steadily making a name for themselves in the scene. Toward the end of their set, they played “Worn Down” and “Exhale” acoustic, with many fans in the audience singing every word of the emotional songs.
All the way from Newcastle, Australia, Trophy Eyes was formed in 2013 and consists of vocalist John Floreani, bassist and backing vocalist Jeremy Winchester, lead guitarist Josh Campiao, and drummer Blake Caruso. When it was time for Trophy Eyes to start their set, they ran out and immediately jumped into “Blue Eyed Boy”, a track off their 2023 album “Suicide and Sunshine”. John Floreani brought out his dance moves whenever he wasn’t singing and the crowd jumped around and sang with him. While Floreani did not stage dive, which he is known to do, there were about five people that crowd surfed and subsequently stage-dived during the entire show.
At the Buffalo, New York stop earlier in the tour, a 24-year-old suffered a spinal cord injury when Floreani dove from the stage into the crowd, ending the show early to ride with her to the hospital. Bird Piché, a longtime fan, is currently in rehab and is expected to make a full recovery. This accident caused unnecessary discourse about crowd surfing and hate towards Trophy Eyes and specifically Floreani, especially due to many major news and media outlets picking up the story. All that really matters is supporting Bird in her recovery and ensuring that as concert-goers, we are participating in a crowd that is willing and prepared to hold up crowd surfers and do our best to protect anyone who may need it. Bird’s GoFundMe can be found here.
About halfway through the show, Floreani took a moment to ask everyone to withhold surfing or coming on the stage for the rest of the night. There was an attendee who kept trying to get on stage and jump into the crowd while acting drunk and belligerent, leaving Floreani and other members to struggle to make him use the stage exit in the middle of a song without any help from venue security. Floreani went back to his mic and urgently asked if there was any security or anyone to help them, and security finally started moving and dragged the disruptive person away.
Floreani thanked everyone else profusely for coming and said that the band is having a rough time, but it meant everything that so many people still came to their show. He talked about how “Suicide and Sunshine” didn’t reach as well on social media as it could’ve because of the word “suicide” being in the title. Before playing “Life in Slow Motion”, a dissociative song about the beauty and chaos of life, with the throughline of everything being temporary, he said that the song is representative of how he feels currently. The rest of the show went on without interruption, ending with popular songs “Chlorine”, “You Can Count on Me”, and finally “Bandaid”. The majority of the crowd was loving it, although some people seemed to be very drunk and/or feeling faint. After the band had finished, thanked everyone again, and handed out setlists and other memorabilia, Floreani came back to the mic. He was clearly angry and upset for what had transpired throughout the night and called out the venue for over-serving drinks and allowing people to get too drunk and causing problems, then barely helping when the band was struggling on stage. On that note, the show was over.
I have been a fan of Trophy Eyes for almost ten years, and I will keep recommending their music and going to see them. That being said, I don’t think I would recommend this venue, and it was unfortunate for everyone that they ended up playing there. I have a lot of respect for the band for pushing through everything and still playing a great show despite the circumstances.